Publications
Poetry
The Offing, “Gentleness is Something New I can Afford,” July 2026
Sewanee Review, “I Accept All Measures of Intimacy in the Digital Age, Especially Text,” Summer 2026
The Rumpus, “Invocation of the Black River,” June 2026
Cincinnati Review, “My Mother Has Two Ways of Giving Permission” and “I Inherited No Photographs,” May 2026
Blackbird, "Recipe for Bilo-Bilo,” May 2026
American Poets (Poets.org), “My Mother Says I Never Learned Language” [reprint], Spring-Summer 2026
The American Poetry Review, “Pantoum for Lolo Ahas,” May 2026
Georgia Review, “During the Storm, the City Reassures Me” & “I'm Not Here to Speak until You Feel Clarity,” March 2026
Copper Nickel, “To someone who’s said, I love you, too many times [A sound altered]” & “To someone who’s said, I love you, too many times [She asks, Is it unusual],” Spring 2026
Poetry, “To someone who’s heard, I love you, too many times [The couple who owns the restaurant that makes]” and “To someone who’s heard, I love you, too many times [Who among us has not followed a pattern,” March 2026
Literary Hub,”Afternoon in the Cemetery,” Feb. 2026
Adi Magazine, “What Migration Will Do To You,” Dec. 2025
Poet Lore, “Year of the Snake” and “Lessons from the Replicant,” Winter/Spring 2025
West Branch, “When is it Disrespectful to Modify an Image?” Summer 2025
Epiphany Magazine, “Waiting Ghazal,” “Beauty Talk,” and “The Other End of ‘Have You Eaten,’” Spring/Summer 2025
Poet Lore, “Subduction,” Summer/Fall 2024
Sundress Publications Broadside, “Field Notes Beginning with a Dish of Kalamay,” Fall 2024
Poetry Daily, “Toyo” (reprinting), Aug. 2024
The Margins, “Pig Story” (in collaboration with Rhoni Blankenhorn), July 2024
The Adroit Journal, “Toyo," April 2024
VOLT, “Afterimage,” Spring 2024
Ep;phany, “If You Aren’t Explicit, They’ll Say You Never Mentioned the War,” April 2024
Essays and Book Reviews
Honey Literary, “The Body is not an Abstraction: The Art of Egai Talusan Fernandez,” April 2026
Poetry Society of America’s “In Their Own Words,” Asa Drake on “If I allow you to look into my blameless disaster, whom do you look away from,” April 2026
Poetry Northwest, “What’s a working class-poem?: On Amy De’Ath’s ‘Not a Force of Nature,’” March 2026
Southern Review of Books, “Looking through the Dual Lens: Michelle Peñaloza’s "All the Words I Can Remember Are Poems,’” Feb. 2026
Michigan Quarterly Review, “Addressing the Body: Mia Ayumi Malhotra’s ‘Mothersalt,’” Dec. 2025
The Rumpus, I Thought America Was the Thief: Mastery and Assimilation in Esther Lin’s “Cold Thief Place,” Aug. 2025
Los Angeles Review of Books, Consciousness Multiplied: A Review of Harryette Mullen’s “Regaining Unconsciousness,” Aug. 2025
Massachusetts Review, “Reframing the Scholar in Jennifer Nelson’s On the Way to the Paintings of Forest Robberies,” June 2025
TriQuarterly, In Defense of Subjective Silences: Audience, archive and access in three debut poetry collections, April 2025
Split Lip Magazine, Presenting Violence Without Replicating Violence: On Megan Pinto’s “Saints of Little Faith,” March 2025
The Margins, The End of the World Isn’t New and Neither Is the Work Ahead of Us: On Franny Choi’s poetry, Feb. 2025
Philosophy and Global Affairs, A Review of Sarona Abuaker’s “Why so few women on the street at night,” Winter 2025
On The Seawall, Grounding the Love Song: Exploring persona, audience, and authenticity in Kenzie Allen’s “Cloud Missives,'“ Sept. 2024
Poetry Northwest, The Infinite Potential of Wrong Directions in Xiao Yue Shan “then telling be the antidote,” June 2024
The Rumpus, Embodiment as a Sensorial Practice in Saretta Morgan’s “Alt-Nature,” May 2024
Split Lip Magazine, Labor, Desire and the Femme Body in Catherine Chen’s “Beautiful Machine Woman Language,” March 2024
The American Poetry Review, Leslie Sainz's “Have You Been Long Enough at Table” and Craft in the Anthropocene, Jan./Feb. 2024