Publications
Poetry
Copper Nickel - “To someone who’s said, I love you, too many times [A sound altered]” & “To someone who’s said, I love you, too many times [She asks, Is it unusual],” Spring 2026
Poet Lore - “Year of the Snake” and “Lessons from the Replicant,” Winter/Spring 2025
West Branch - “When is it Disrespectful to Modify an Image?” Summer 2025
Epiphany Magazine - "Waiting Ghazal," "Beauty Talk," and "The Other End of ‘Have You Eaten,’" Spring/Summer 2025
Poet Lore - “Subduction,” Summer/Fall 2024
Sundress Publications Broadside - “Field Notes Beginning with a Dish of Kalamay,” Fall 2024
Poetry Daily - “Toyo” (reprinting), Aug. 2024
The Margins - “Pig Story” (in collaboration with Rhoni Blankenhorn), July 2024
The Adroit Journal - “Toyo," April 2024
VOLT, “Afterimage,” Spring 2024
Ep;phany - “If You Aren’t Explicit, They’ll Say You Never Mentioned the War,” April 2024
Waxwing - “Aubade”’ and “My Mother Says I Never Learned Language,” Oct. 2023
Michigan Quarterly Review: Mixtape - “Listening to the Storm Still Distant vs Specific Rain on the Banana Leaves” and “Abundance,” Aug. 2023
Poetry Northwest - “Heirloom,” Winter 2023
The American Poetry Review - “Yonder,” Nov./Dec. 2022
Sierra: The Magazine of the Sierra Club - “Certain Outlines Can Only Be Imagined,” Dec. 2022
Copper Nickel - "I’m Interested in How Animals Teach Us Pleasure,” Fall 2022
The Adroit Journal - "from Tonight, A Woman," April 2022
The Georgia Review - Five Poems, April 2022
Poetry Northwest - “Letter to my Younger Self,” April 2022
The Slowdown - “I Worry My Mother Will Die and I Will Know Nothing” (reprinting), Oct. 2021
Southern Humanities Review - "Dreamscape Dressed in My Younger Self" and “American Crow Delivers a Message to My Younger Self,” March 2021
The Paris Review Daily - "This is One Way to Listen," May 2020
Essays and Book Reviews
TriQuarterly - In Defense of Subjective Silences: Audience, archive and access in three debut poetry collections, April 2025
Split Lip Magazine - Presenting Violence Without Replicating Violence: On Megan Pinto’s “Saints of Little Faith,” March 2025
The Margins - The End of the World Isn’t New and Neither Is the Work Ahead of Us: On Franny Choi’s poetry, Feb. 2025
Philosophy and Global Affairs - A Review of Sarona Abuaker’s “Why so few women on the street at night,” Winter 2025
On The Seawall - Grounding the Love Song: Exploring persona, audience, and authenticity in Kenzie Allen’s “Cloud Missives,'“ Sept. 2024
Poetry Northwest - The Infinite Potential of Wrong Directions in Xiao Yue Shan “then telling be the antidote,” June 2024
The Rumpus - Embodiment as a Sensorial Practice in Saretta Morgan’s “Alt-Nature,” May 2024
Split Lip Magazine - Labor, Desire and the Femme Body in Catherine Chen’s “Beautiful Machine Woman Language,” March 2024
The American Poetry Review - Leslie Sainz's “Have You Been Long Enough at Table” and Craft in the Anthropocene, Jan./Feb. 2024
The Georgia Review - Janine Joseph Takes on How Personhood and Credibility Enter the Record, Fall 2023
The Rumpus - Human and no Less Miraculous: The Craft of Explication in Eugenia Leigh’s “Bianca,” Sept. 2023
Honey Literary - In 1981 Tita Nena Translates Whitman, Aug. 2023
The Adroit Journal - A Review of Candace Williams’s “I Am The Most Dangerous Thing,” June 2023
On The Seawall - A Review of Ina Cariño’s “Feast,” June 2023
The Margins - Southern Poetics in Adrienne Su’s “Peach State,” March 2022
Kenyon Review Online - On “The Renunciations” by Donika Kelly, June 2021
Entropy - Claiming Space in Muriel Leung’s “Imagine Us, The Swarm,” April 2021
The American Poetry Review - Language Does Not Serve Us All. So What Will? Stillness and Recognition in Taylor Johnson’s “Inheritance,” March/April 2021